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beautiful and deadly.

beautiful and deadly.


wetreesinart:


André Masson (Fr. 1896-1987), La Clairière, 1922, huile sur toile, 68,4x53,8 cm, Paris, musée national d’Art moderne - Centre Georges Pompidou

wetreesinart:

André Masson (Fr. 1896-1987), La Clairière, 1922, huile sur toile, 68,4x53,8 cm, Paris, musée national d’Art moderne - Centre Georges Pompidou

fuckyeahfluiddynamics:

Flow patterns can change dramatically as fluid speed and Reynolds number increase. These visualizations show flow moving from left to right around a circular plunger. The lower Reynolds number flow is on the left, with a large, well-formed, singular vortex spinning off the plunger’s shoulder. The image on the right is from a higher Reynolds number and higher freestream speed. Now the instantaneous flow field is more complicated, with a string of small vortices extending from the plunger and a larger and messier area of recirculation behind the plunger. In general, increasing the Reynolds number of a flow makes it more turbulent, generating a larger range of length scales in the flow and increasing its complexity. (Image credit: S. O’Halloran)


wrightbryan3:

sesozzi:

By Les Retro Galeries de Mister Gutsy Blog

Awesome!

wrightbryan3:

sesozzi:

By Les Retro Galeries de Mister Gutsy Blog

Awesome!


wackystuff:

The Persistence of Old Regrets (by wackystuff)

wackystuff:

The Persistence of Old Regrets (by wackystuff)


There are neither shapes nor objects. There are only events - sudden sightings - appearance.

André Masson (via kahokarl)

hideback:

art-and-fury: What the Deer Said - Norman Lindsay (previous)

hideback:

art-and-fury: What the Deer Said - Norman Lindsay (previous)


kmitt:

"The False Mirror", 1928 by Rene Magritte

kmitt:

"The False Mirror", 1928 by Rene Magritte


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